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30 results found

ICFE 2019 New York

Jan 30-31, 2019
International Conference on Filmmaking and Editing
Submissions due:
2018-12-26 00:00:00
Conference Details

ICFPA 2019 Dubai

Jan 30-31, 2019
International Conference on Filmmaking, Performance and Acting
Submissions due:
2018-12-15 00:00:00
Conference Details

ICFD 2018 Tokyo

Apr 05-06, 2018
International Conference on Filmmaking and Directing
Submissions due:
2018-03-05 00:00:00
Conference Details

ICFA 2018 Osaka

Mar 29-30, 2018
International Conference on Filmmaking and Acting
Submissions due:
2018-02-28 00:00:00
Conference Details

ICCTF 2018 Singapore

Mar 22-23, 2018
International Conference on Camera Techniques in Filmmaking
Submissions due:
2018-02-22 00:00:00
Conference Details

ICFMG 2018 Miami

Mar 12-13, 2018
International Conference on Filmmaking and Motion Graphics
Submissions due:
2018-02-12 00:00:00
Conference Details

ICFPA 2018 Dubai

Jan 22-23, 2018
International Conference on Filmmaking, Performance and Acting
Submissions due:
2017-12-22 00:00:00
Conference Details

ICFCT 2019 Paris

Jan 24-25, 2019
International Conference on Filmmaking, Cinematography and Technology
Submissions due:
2018-12-24 00:00:00
Conference Details

ICFSA 2019 Amsterdam

Jan 21-22, 2019
International Conference on Filmmaking and Structural Analysis
Submissions due:
2018-12-15 00:00:00
Conference Details

ICETF 2019 Zurich

Jan 14-15, 2019
International Conference on Editing and Technology in Filmmaking
Submissions due:
2018-12-14 00:00:00
Conference Details

ICFET 2018 Amsterdam

Jul 16-17, 2018
International Conference on Filmmaking, Editing and Technology
Submissions due:
2018-06-15 00:00:00
Conference Details

ICDFP 2018 Barcelona

Feb 27-28, 2018
International Conference on Digital Filmmaking and Production
Submissions due:
2018-01-26 00:00:00
Conference Details

ICAFE 2018 Kuala Lumpur

Feb 12-13, 2018
International Conference on Art of Filmmaking and Editing
Submissions due:
2018-01-12 00:00:00
Conference Details

ICTEF 2018 Bangkok

Feb 08-09, 2018
International Conference on Technological Evolution of Filmmaking
Submissions due:
2018-01-08 00:00:00
Conference Details

ICFCT 2018 Paris

Jan 25-26, 2018
International Conference on Filmmaking, Cinematography and Technology
Submissions due:
2017-12-22 00:00:00
Conference Details

ICFSA 2018 Amsterdam

Jan 22-23, 2018
International Conference on Filmmaking and Structural Analysis
Submissions due:
2017-12-22 00:00:00
Conference Details

ICETF 2018 Zurich

Jan 15-16, 2018
International Conference on Editing and Technology in Filmmaking
Submissions due:
2017-12-15 00:00:00
Conference Details

ICFMIA 2019 Sydney

Jan 30-31, 2019
International Conference on Filmmaking and Moving Image Arts
Submissions due:
2018-12-14 00:00:00
Conference Details

ICVAETF 2018 Paris

Apr 19-20, 2018
International Conference on Visual Anthropology and Ethnographic Filmmaking
Submissions due:
2018-03-19 00:00:00
Conference Details

ICCTF 2018 London

Mar 15-16, 2018
International Conference on Cinematic Techniques in Filmmaking
Submissions due:
2018-02-14 00:00:00
Conference Details

ICFMGT 2018 Rome

Mar 05-06, 2018
International Conference on Filmmaking, Motion Graphics and Technology
Submissions due:
2018-02-05 00:00:00
Conference Details

ICMGTF 2018 Amsterdam

Feb 12-13, 2018
International Conference on Motion Graphics and Technology in Filmmaking
Submissions due:
2018-01-12 00:00:00
Conference Details

ICFMIA 2018 Sydney

Jan 29-30, 2018
International Conference on Filmmaking and Moving Image Arts
Submissions due:
2017-12-26 00:00:00
Conference Details

ICFMIA 2018 London

Feb 15-16, 2018
International Conference on Filmmaking and Moving Image Arts
Submissions due:
2018-01-16 00:00:00
Conference Details

ICFPPP 2019 Singapore

Jan 10-11, 2019
International Conference on Filmmaking, Production and Post Production
Submissions due:
2018-12-07 00:00:00
Conference Details

ICFPPP 2018 Singapore

Jan 08-09, 2018
International Conference on Filmmaking, Production and Post Production
Submissions due:
2017-12-08 00:00:00
Conference Details

ICFPPP 2019 London

Jan 21-22, 2019
International Conference on Filmmaking, Production and Post Production
Submissions due:
2018-12-21 00:00:00
Conference Details

ICFPPP 2018 London

Jan 18-19, 2018
International Conference on Filmmaking, Production and Post Production
Submissions due:
2017-12-19 00:00:00
Conference Details

Auteur 3D Filmmaking: From Hitchcock’s Protrusion Technique to Godard’s Immersion Aesthetic

Throughout film history, the regular return of 3D cinema has been discussed in connection to crises caused by the advent of television or the competition of the Internet. In addition, the three waves of stereoscopic 3D (from 1952 up to 1983) and its current digital version have been blamed for adding a challenging technical distraction to the viewing experience. By discussing the films Dial M for Murder (1954) and Goodbye to Language (2014), the paper aims to analyze the response of recognized auteurs to the use of 3D techniques in filmmaking. For Alfred Hitchcock, the solution to attaining perceptual immersion paradoxically resided in restraining the signature effect of 3D, namely protrusion. In Jean-Luc Godard’s vision, 3D techniques allowed him to explore perceptual absorption by means of depth of field, for which he had long advocated as being central to cinema. Thus, both directors contribute to the foundation of an auteur aesthetic in 3D filmmaking.
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A Study of Filmmakers Interaction through Social Exchange Theory

Film, as an art form playing a vital role and is a powerful tool in documenting, influencing and shaping the society. Films are the collective creation of a large number of separate individuals, each contributing with creative input, unique talents, and technical expertise to the project. Recently, the Malaysian Independent (or “Indie") filmmakers have made their presence felt by winning awards at various international film festivals. Working in the digital video (DV) format, a number of independent filmmakers really hit their stride with a range of remarkably strong titles and international recognition has been quick in coming and their works are now regularly in exhibition or in competition, winning many top prizes at prestigious festivals around the world. The interaction factors among crewmembers are emphasized as imperative for group success. An in-depth interview is conducted to analyze the social interactions and exchanges between filmmakers through Social Exchanges Theory (SET). Certainly the new millennium that was marked as the digital technology revolution has changed the face of filmmaking in Malaysia. There is a clear need to study the Malaysian independent cinema especially from the perspective of understanding what causes the independent filmmakers to work so well given all of the difficulties and constraints.

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